Who
王天仁
When
2010年7月5日(一) - 8月8日(日)
Where
MUJI Harbour City
九龍尖沙咀海港城海洋中心4樓407店
Muji City Plaza
香港太古城中心地下066-066A店
What
自幼受卡通影響，王天仁利用拾到的廢棄木材創作出各種造型親切的動物雕塑，並將物盡其用的巧思和幽默靈感注入家具擺設，讓環保、藝術和生活交織出詼諧的玩味。
Official Website
Thursday, 15 July 2010
Atelier MUJI 多媒體展示會 - '生活五味' 展覽系列 II <玩味>
Who
王天仁
When
2010年7月5日(一) - 8月8日(日)
Where
MUJI Harbour City
九龍尖沙咀海港城海洋中心4樓407店
Muji City Plaza
香港太古城中心地下066-066A店
What
自幼受卡通影響，王天仁利用拾到的廢棄木材創作出各種造型親切的動物雕塑，並將物盡其用的巧思和幽默靈感注入家具擺設，讓環保、藝術和生活交織出詼諧的玩味。
Official Website
osage kwun tong :: Java's Machine: Phantasmagoria by Jompet
Opening: 16.07.2010, 6pm to 8pm
Who
Augustinus Kus WIDANANTO
When
17.07.2010 - 22.08.2010
Where
5/F, Kian Dai Industrial Building,
73-75 Hung To Road,
Kwun Tong, Kowloon, Hong Kong
What
Java's Machine: Phantasmagoriais the first solo exhibition in Hong Kong of Indonesian artist Augustinus Kuswidananto (a.k.a. Jompet). Jompet's work takes, as its starting point, the history of Java and explores syncretism or strategies to reconcile dispersed and disparate points of reference in Java's cultural history. This is exemplified by Java, the War of Ghosts, the centrepiece of the exhibition, which also, in turn, frames the other installations and video works in the exhibition. Jompet's work can be read as a discourse on post-colonialism and globalisation, a celebration of unruly beauty. As with Java's heritage, harmony can be negotiated in the multiplicity of patches that make up today's global community.
Jompet was born in 1976 in Yogyakarta, Indonesia. He graduated from Gadjah Mada University in 1999 with a degree in Social and Political Science. His multi-disciplinary practice involves installation, video, performance and music, delving into a wide range of subjects such as history and civilisation, the past and modernity, and technology and the spiritual realm. His work has been exhibited in many international exhibitions including Asia Art Award, Seoul, South Korea (2010), Oasis To Be, Bali (2010), Jakarta Biennale, Jakarta, Indonesia (2009), 10th Lyon Biennale, Lyon, France (2009), Beyond the Dutch, Centraal Museum Utrecht, Netherlands (2009), Yokohama Triennale, Yokohama, Japan (2008) and Fukuoka Asian Art Triennale, Fukuoka, Japan (2005).
Official website: http://www.osagegallery.com/
Input/ Output gallery 'Resonance' Samson Young exh.
Opening: Friday 16th July, 7-9pm.
Who
Samson Young
(Opening performance by Yao Chang-Han)
When
July 16th – Sept 5th
Where
U/G, Tung Yiu Commercial Building,
31A Wyndham Street, Central, Hong Kong
+852 3105 1127
What
For further details, pls visit official website http://inputoutput.tv/cms/?page_id=9
Moon Gallery '鍊石 - 呂豐雅1997-2010個人作品展'
Opening 9/7 7:00 - 8:30pm
Who
呂豐雅
When
9-28/7/2010
Where
Shop No. 1, G/F Hua Fu Commercial Bldg, 111 Queen's Road West, Hong Kong
What
Moon Gallery proudly presents ‘Message In The Sky – Eddie Lui’s Art from 1997 to 2010’, a solo exhibition featuring a series of works from the period of 1997 to 2010 by one of the most internationally respected and well known Hong Kong artists Eddie Lui.
In Lui’s artistic career of over four decades, Lui’s paintings, prints and three-dimensional works have been featured in renowned establishments. His works are widely exhibited around Asia and included in an array of museum, private, corporate and public collections.
In 2010, Lui decided to leave the demanding work of Executive Director of the Jockey Club Creative Arts Centre (JCCAC) and focus on his creative work. ‘Message In The Sky – Eddie Lui’s Art from 1997 to 2010’ exhibition is not only a retrospective of Lui’s work for the past 13 years. It also marks a new beginning of Lui’s total commitment in creating artwork. This exhibition will showcase Lui’s oil paintings, contemporary ink paintings and the special ‘stone’ works.
This is a very rare occasion where Hong Kong audiences can get a close look at the works of a true master artist from Hong Kong. This is an exhibition surely not to be missed.
Lumenvisum 光影作坊《家在．人在．菜園在》謝柏齊攝影展
Opening: 2010年7月9日 (星期五)（下午6時至8時）
Who
謝柏齊
When
2010年7月10日至8月8日（11am-7pm, 逢星期一休館）
Where
九龍石硤尾白田街30號賽馬會創意藝術中心2樓10室
What
在與祖國高鐵接軌的政治正確大前題下，以六百三十億元的財紅，加上香港特區政府行政主導的勢大，菜園村村民要求繼續務農生活的訴求根本不為特區政府所接納。但滿腔鄉情懷的菜園村村民，加上一班追求社會公義的年青年人的共同努力，菜園村雖然最終仍逃不過清拆的命運，但村民們繼續務農生活的願望卻有機會得到實現。整個抗爭行動中從動員以至行動本身都充著創意，並成為市民談論的話題。
一直關心社會運動的民間博物館成員謝柏齊，從感性角度以鏡頭紀錄了菜園村護村的整個過程，讓大眾可以從大眾媒體以外的觀點去了解整個運動的過程，和當中的苦樂。
光影作坊將於7月9日為謝柏齊舉辦一個名《家在．人在．菜園在》的攝影展，展覽於是日下午6時至8時於光影作坊展館開幕，屆時菜園村村民會帶同充滿鄉氣息的美食到場一同慶祝，各位傳媒朋友歡迎出席和採訪。
YY9 Gallery 'Daydreaming' group exh.
Opening: 8 July 2010
Who
Gavin Kayiu AU(區家耀), Joe Kiuhong CHAN(陳翹康), Silvia CHAN(陳璟佩), Kwokhin TANG(鄧國騫), Tinyan WONG(王天仁)
When
8/7 - 7/8
Where
G/F 83 - 85 Sing Woo Road, Happy Valley, Hong Kong
What
For further details, visit official website http://www.2bsquare.com/
Friday, 2 July 2010
The Art of CUHK 2010
Opening: 29 May 2010
Who
Students of CUHK Fine Arts (Current students, Undergraduate & Postgraduate)
Invitational Exhibition
When
29/5 - 11/7
Where
The Chinese University of Hong Kong
Sha Tin, New Territories,
Hong Kong
Invitational Exhibition - Hui Gallery, New Asia College, CUHK
Annual Exhibition - Cheng Ming Building, New Asia College, CUHK
Graduation Exhibition - Gallery I, Art Museum, Central Campus, CUHK
Postgraduate Exhibition - 3/F, Cheng Ming Building, New Asia College, CUHK
What
Website: http://www.arts.cuhk.edu.hk/~fadept/FAA2010/
Wednesday, 30 June 2010
Thursday, 24 June 2010
SOLOS: HKBU 3rd AVA Graduation Show
Who
Students of Academy of Visual Arts, HK Baptist University
When
14/6/2010 - 9/7/2010
Where
Academy of Visual Arts (AVA)
Hong Kong Baptist University
Kai Tak Campus,
51 Kwun Tong Road,
Kowloon (Choi Hung MTR Exit A2), Hong Kong
What
For more information, please visit http://www.avasolos.com/
與現實的背離 三聯展之（二）：都市寓言
Who
Lonhin LAI(賴朗騫), Saikit NG (吳世傑)
When
10/7/2010 - 28/8/2010
Where
Blindspot Gallery
24-26A, Aberdeen Street, Central
Tel: +852 2873 3819
Email: info@blindspotgallery.com
Website: http://www.blindspotgallery.com
What
Blindspot Gallery presents the second part of its trilogy exhibition - “A Departure from Reality II: City Fable” featuring Hong Kong artists, Ng Sai Kit and Lai Lon Hin. Both artists take Hong Kong landscape as their subject. With acute observation of their home city, Ng and Lai capture the exceptional sides out of the ordinary scenes of the city through their subjective lenses. Both point their lenses to Hong Kong landscape, Ng’s vertical black and white photographs of day scene and Lai’s colour photographs of night scene exude completely different styles that translate into different visual experiences of the viewers. With their unique interpretations, the ‘fable’ of our city is unfolded.
SCM Annual 2010: Graduation Show of School of Creative Media
Opening: 30 Jun 2010, 6pm
Screening: 28 Jun - 1 Jul 2010 at Hong Kong Film Archive
Who
students in School of Creative Media, the City University of Hong Kong (CityU)
When
1-7 Jul 2010, 12-8pm
Where
1a Space, Artist Commune and Videotage
Cattle Depot Artist Village,
Unit 14D, Block C, 63 Ma Tau Kok Road,
To Kwa Wan, Kowloon, Hong Kong
What
For more information, please visit http://www.thescmannual.hk/
Monday, 21 June 2010
microwave fest 'Mario Viva: New Media Art Show'
Who
Keith Yankit LAM(林欣傑), Eric Chiman SIU(蕭子文)
When
27/6/2010 - 13/7/2010
Where
Kapok
3 Sun Street,
Wanchai, Hong Kong
What
Mario's life began in 1981 as the main character Jumpman in cult game Donkey Kong, designed by Shigeru Miyamoto and originally named Mr. Video for planned recurring roles in multiple games. However, he was renamed Mario after the landlord of Nintendo’s US warehouse, Mario Segale, whom they owed rent to and resembled the character -- a move Miyamoto said saved the character from disappearing off the face of the earth. As the most famous videogame star, Mario has appeared in countless computer/TV games, TV series, cartoons, animated films and comic books with worldwide distribution. With his famous cap and mustache that were in fact specifically designed to cover up graphical limitations of animating hair and facial expressions back in the day, there is no doubt the pudgy plumber from Super Mario Bros serves as a legendary icon of video games all over the world.
Taking time to recall a familiar sight from our daily lives: people playing hand-held games everywhere -- it's reached the point where those mini-machines are in fact playing with us, or even playing us. They serve as a universal communication hub, dragging us into the virtual world, where the question of "reality" is a constant debate -- how, why and when have we become so addicted to it?
People often speak of art as an unreachable realm; but if we looked at art through video games, what we could we see? Through this project – MARIO VIVA – Microwave would like to use this iconic game character as a starter for the public to taste the fun of interactive media artworks, and at the same time, explore the social and cultural phenomenon that runs deep in our society today.
website
<北> 攝影聯展
Who
黃勤帶、趙嘉榮、余偉建、楊德銘及岑允逸
When
26/6/2010 - 15/8/2010
Where
The Upper Station
No. 22 Upper Station Street
Sheung Wan, Hong Kong
What
The Upper Station (photo gallery) 將於2010年6月26日至8月15日舉行本年度第四個展覽。是次我們邀請了五位同為攝影記者出身的香港資深攝影師：黃勤帶、趙嘉榮、余偉建、楊德銘及岑 允逸展示他們一系由六四起始至當代中國為主題的作品。
展覽起源於一本名為《麻雀》的攝影刊物，是黃勤帶、趙嘉榮、楊德銘及岑允逸於去年十一月創辦的，適逢今年六月出版 第二期，於是便在The Upper Station舉辦一個攝影展覽。
「北望」故名思意是關於香港人怎樣看中國大陸。由八九六四至當代中國，五位攝影師以不同的角色、角度表達了他們的看法。當中黃勤帶、趙嘉榮和楊德銘都是回 應八九六四，但三人的位置與風格各有不同。黃勤帶所展覽的是他於八九年在天安門廣場拍下的作品，以最近的距離讓觀眾感受到當年的氣氛。黃勤帶和趙嘉榮在六 四事件發生九年後曾得到基金贊助再次踏足北京拍攝並出版了當時香港攝影歷史有名的攝影集《北京戀曲》。同樣以六四為中心，但趙嘉榮的作品則維持著一貫的無 奈與荒謬，令人想起美國的克萊恩和日本的森山大道。當一九八九年還是個小孩的楊德銘，對於那一年發生了什麼事情他自己說印象有點模糊，只能透過其作品表達 一種對六四的情緒，以灰濛失落的色調遙遙回應黃勤帶的激情。
余偉建和岑允逸要說的是當代中國。距離八九六四的二十一年後，中國已變了另一片天。 余偉建於去年國慶日重臨北京，在幢幢的新蓋高樓、五星旗海和六十週年國慶的標語裝飾下，他的鏡頭還看見了寂寥的墓園和被保安隊嚴密封鎖的街道。他感慨地 道：「長安街是空的，2009年10月的國慶祇能從電視上看到。」岑允逸繼續他在廣東小鎮進行的觀察和拍攝計劃，今趟他展示的是那些巨大無朋的豪華商場。 在他平靜的鏡頭之下，這些一座座的新興地區中心顯示出的是冷漠、遙遠與疏離，彷彿再三迴響著香港人這二十一年來的沉默。
'Caught in the Middle' Kevin Fung 馮力仁雕塑展
Who
Kevin Fung 馮力仁
When
23/6 - 17/7
Where
Grotto Fine Art
2/F 31C-D Wyndham St.
Central, Hong Kong
What
Grotto Fine Art takes great pleasure in presenting Kevin Lik-yan Fung's first one-man exhibition at our gallery Caught in the Middle . One of most accomplished Hong Kong artists, Fung's iconic wooden sculpture captivates the audience with its fine craftsmanship and profound concerns with the bourgeoisie experiences in Hong Kong.
On display will be a body of works in wood and bronze that defines the latest creative journey of the artist.
As the title suggests, Kevin Fung's new exhibition deals directly with middle class experiences and situations in Hong Kong. Scenes of Hong Kong's streets, the MTR, bus stops and shopping centres are represented by Fung's iconic figures. Broadly carved and lightly colored, they are expressionless and remote. They do not point to a specific individual or profession; instead, they are the collective manifestations of the general populace, the mass. Heavily rooted in their columnist bases, each figure appears pressed down by a psychological burden. Such quiet tension defines Fung's best work. It addresses the stress and pressure in our daily life while offers a touch of humanity and humor. Fung's figures are the urban heroes that transcend time and space.
Born in Hong Kong in 1964, Kevin Fung received his tertiary education in Canada and now works as engineer in the telecommunication industry. Fung's works concern the customs and predicament from the bourgeoisie in Hong Kong. Fung has been involved in numerous exhibitions locally and abroad and his works are collected by private collectors, institutes, and museums and have been featured in Contemporary Asian Art in Sotheby's.
Atelier MUJI 多媒體展示會 - '生活五味' 展覽系列 I <見林不見樹>
Who
劉智聰
When
2010年5月31日(一) - 7月4日(日)
Where
MUJI Harbour City
九龍尖沙咀海港城海洋中心4樓407店
Muji City Plaza
香港太古城中心地下066-066A店
What
Atelier MUJI 作為一個屬於無印良品現在與未來的小空間，藉著不同的展示會及活動，與顧客建立更多溝通的機會，讓大家對「人」、「物」及「生活」有一個新的認識。
是次以視覺藝術展覽形式，分享五位本地藝術家 - 劉智聰、王天仁、區凱琳、許翠紅和謝淑婷，如何在生活之中得到源源不絕的創作靈感，藉著各自對物料的運用、空間的想像和生活的感悟，以攝影、繪畫和雕塑等 方式，於五回視覺藝術展覽中體味生活。
愛遊走於香港荒地的劉智聰，從十年來的攝影作品中，選取了一輯紀錄著建築物隨 時日荒廢，還原為大自然本貌的照片，配合舊物組成的小裝置，重現生活中被遺忘的原味。
Official Website
<八分二十秒> 王希慎、又一山人攝影展
開幕酒會：2010年6月18日 星期五晚上6時至8時
Who
王希慎、又一山人
When
2010年6月18日至7月31日，時間下午1時至7時 （逢星期日及公眾假期休息）
Where
私畫廊（九龍石硤尾白田街賽馬會創意藝術中心5樓22室）
What
第一次看到王希慎 （Hisun Wong）的《花葉印》‘intimate impression’攝影作品時，照片的色調使我聯想到作為攝影師的他，多年來浸淫於攝影黑房傳統技術層面的功夫。目迷於色彩漫散和透逸影像當兒，老實 說我實在想象不到這些似被X光透析儀拍攝的影像，是由何種類別的相機型號拍攝出來的。
我嘗試以理性的角度尋找創作的技巧和方法，苦思片刻再鑽入腦 側的角尖內。如果不是Hisun立即把迷團打開，我只會往數碼科技的方向鑽得更尖。他說這是‘unprocessed photogram’，我恍然大悟的像記起了半世紀以前的事，答案原來是攝影術的基本源頭；照片的被攝物是他自家花園落下的花草，光源是天空的太陽。這是 直接得不能再直接的攝影類別。在數碼影像無處不在的年代，面前返樸歸真的影像創作方式，確實令自己感應現實跟虛擬成像的感觸錯落。照片內隱逸的情感，從纖 細花葉散落親密的個體宇宙，感覺擬似中國文人畫家花鳥蟲魚的攝像呈現。
沒有光學鏡頭的多層過濾，陽光直接把物象勾勒成影像。視覺的正負真假虛浮透 明，寫真寫意遊戲人間。重新啟動銀鹽感光創作空間之餘，也令我想象是個有趣的攝影教學提案，由銀鹽過渡數碼成像的「有機」過程。
Hisun這邊是在上海的後花園的太陽實 驗；南面的香港又一山人（anothermountainman）以謙恭的角度對正陽光。他預備了多個以鋼框鑲成的純白畫板，放在太陽下的各處地方，讓陽 光透過雲層、透過樹叢、透過物件、透過玻璃、透過各種天然或是人為的物事，投下迅間流動的光和影，成為白色畫板上面的影像，這名副其實的「影」像，他稱這 活動為「神畫」（painting by god）。這個耐人尋味的活動，除了可作裝置藝術的型式展示，更意想不到的就是會牽引觀眾，對白色畫板上的迅間光影感到興趣。情況一如自己重拾質樸素直的 photogram感覺一樣，白色畫板框著的光影，其實遍布於日常生活，每秒都擦身而過，但大多數人每刻都會視而不見！這些光和影投在白色畫板上，除了引 人遐思以外，通常都惹來無數觀賞者興起拍攝的念頭，他們就用隨身的攝影機拍下許多黑白灰的抽象光影。可能是鋼框白板成像的因利乘便，邊框構圖安靜就位，按 快門的剎那就像吃一個三分鐘的即食杯麵。背後的拍攝動機觸踫到關於觀察、角度甚或價值觀等思考，跟又一山人談起，這也可以是個另類的攝影延伸活動。
最 近看過蔡仞姿老師提到香港藝術的「當代隱性生態」：「那是不愛煽情、低調、冷而疏離的觸覺，……也是創作語言的純粹化，追求個人性、藝術性的理想狀 態；…」（今藝術，ARTCO，3/2010，台灣典藏出版）；雖然兩位攝影師未必是這個說法的對應說明，但作品中的冷狀態對應市場主道式的創作，正是跟 金融城市中心價值形象相違的創作態度。
這個不算是香港城市慣常熟知的攝影展覽，兩位攝影師由個人對應地球上最重要的光源，若輕的私下感應光影節 奏，若重則可以視生視死的生活贅重。作為觀眾的我，攝影的具象功能每每讓我關注個人跟環境，邊緣跟盛世的互換疏離感覺。當照片把寫實的具象語言抽離，給予 我奢侈的空白，放下講求效率效益效應。在追求即享收獲的年代，誰知道原來還有很多人有耐性，等一段八分二十秒由太陽射到地球的光線。
REACH FOR THE HEART • A BEGINNING
Opening Thursday 10 June 2010, 6:00 - 9:30PM
Who
31 International and Local Artists
When
10 JUN - 10 JUL, 2010
Where
SIN SIN ANNEX
53 - 54 SAI STREET, CENTRAL, HONG KONG
What
Sin Sin Fine Art 與「藝術在醫院」誠意推介一個別開生面的展覽及籌款晚會──Reach for the HeART • A Beginning • 心窗。晚會將於2010年6月10日假中環西街53-54號的 Sin Sin Annex舉行。屆時將會有中國書法即場示範表演、非洲鼓樂表演、藝術工作坊的相片及作品展覽，並有畫廊藝術家的藝術品出售，進行籌款義賣。
「心窗」藝術工作坊是由Sin Sin Fine Art 及藝術在醫院於2009所舉辦的藝術項目，此項目希望將創作及欣賞藝術的快樂與住院的長者分享，讓他們能從藝術創作中表達自我，並分享喜樂、滿足同時增加自信而培養長者對生命的熱愛，減低在病榻中的憂慮及壓力。
在過去一年籌得第一年的活動經費讓「藝術在醫院」在4所醫院舉辦了超過31次的「心窗」藝術工作坊。我們希望能延續此有義意的活動，而今年的籌款活動除了籌募經費，更希望大眾將以藝術去關懷社群的訊息廣傳，讓更多人受惠。
參與是次籌款義賣的藝術家包括有: Andy Dewantoro • 牛安 • Antoinette Rozan • 白新城 • Bob Sick Yudhita • 唐偉傑 • Entang Wiharso • FauZie As'Ad • 馮明秋 • Hervé Maury • Hengki Pudjianto • I Gusti Ngurah Buda • 邱久麗 • Jumaldi Alfi • Kokok P. Sancoko • Konstantin Bessmertny • 李文生 • Maria Lobo • Nasirun • Pablo Posada Pernikoff • Pande Ketut Taman • Peter Dittmar • Rick Lewis • Roland Hagenberg • Rolf Lorenz • S. Teddy Darmawan • 冼朗兒 • 孫廣義 • Thep Thavonsouk • 黃仁逵 • Youri Leroux
Sin Sin Fine Art and Art In Hospital are delighted to present the inspirational evening Reach for the HeART • A Beginning • 心窗 that held on 10 June 2010. There will have Chinese calligraphy presentation, African drum performance, exhibition of geriatric patients in past workshops and artworks sold for charity. The event aims to let more people know about what the programme is doing.
Reach for the HeART was a programme initiated by Art in Hospital and Sin Sin Fine Art in 2009 which would like to benefit chronic geriatric patients in hospitals. We believe that the creative process involved in artistic self-expression helps people to resolve conflicts and problems, develop interpersonal skills, manage behaviour, reduce stress, increase self-esteem and self-awareness, and achieve insight. The process of art making could also bring joy and fulfillment to participated patients.
With the funding support in 2009, over 31 workshops were held in 4 hospitals namely Pamela Youde Nethersole Eastern Hospital, Caritas Medical Centre, Haven of Hope Hospital and Grantham Hospital for geriatric patients. We are now looking for the support to sustain this meaningful project.
We all wish to see you at this meaningful evening.
Artists donating their works for charity sale: Andy Dewantoro • Ann Niu • Antoinette Rozan • Bai Xincheng • Bob Sick Yudhita • Damon Tong • Entang Wiharso • FauZie As'Ad • Fung Ming Chip • Hervé Maury • Hengki Pudjianto • I Gusti Ngurah Buda • Julia Nee Chu • Jumaldi Alfi • Kokok P. Sancoko • Konstantin Bessmertny • Lee Man Sang • Maria Lobo • Nasirun • Pablo Posada Pernikoff • Pande Ketut Taman • Peter Dittmar • Rick Lewis • Roland Hagenberg • Rolf Lorenz • S. Teddy Darmawan • Stephanie Sin • Sun Guangyi • Thep Thavonsouk • Wong Yankwai • Youri Leroux
Who
31 International and Local Artists
When
10 JUN - 10 JUL, 2010
Where
SIN SIN ANNEX
53 - 54 SAI STREET, CENTRAL, HONG KONG
What
Sin Sin Fine Art 與「藝術在醫院」誠意推介一個別開生面的展覽及籌款晚會──Reach for the HeART • A Beginning • 心窗。晚會將於2010年6月10日假中環西街53-54號的 Sin Sin Annex舉行。屆時將會有中國書法即場示範表演、非洲鼓樂表演、藝術工作坊的相片及作品展覽，並有畫廊藝術家的藝術品出售，進行籌款義賣。
「心窗」藝術工作坊是由Sin Sin Fine Art 及藝術在醫院於2009所舉辦的藝術項目，此項目希望將創作及欣賞藝術的快樂與住院的長者分享，讓他們能從藝術創作中表達自我，並分享喜樂、滿足同時增加自信而培養長者對生命的熱愛，減低在病榻中的憂慮及壓力。
在過去一年籌得第一年的活動經費讓「藝術在醫院」在4所醫院舉辦了超過31次的「心窗」藝術工作坊。我們希望能延續此有義意的活動，而今年的籌款活動除了籌募經費，更希望大眾將以藝術去關懷社群的訊息廣傳，讓更多人受惠。
參與是次籌款義賣的藝術家包括有: Andy Dewantoro • 牛安 • Antoinette Rozan • 白新城 • Bob Sick Yudhita • 唐偉傑 • Entang Wiharso • FauZie As'Ad • 馮明秋 • Hervé Maury • Hengki Pudjianto • I Gusti Ngurah Buda • 邱久麗 • Jumaldi Alfi • Kokok P. Sancoko • Konstantin Bessmertny • 李文生 • Maria Lobo • Nasirun • Pablo Posada Pernikoff • Pande Ketut Taman • Peter Dittmar • Rick Lewis • Roland Hagenberg • Rolf Lorenz • S. Teddy Darmawan • 冼朗兒 • 孫廣義 • Thep Thavonsouk • 黃仁逵 • Youri Leroux
Sin Sin Fine Art and Art In Hospital are delighted to present the inspirational evening Reach for the HeART • A Beginning • 心窗 that held on 10 June 2010. There will have Chinese calligraphy presentation, African drum performance, exhibition of geriatric patients in past workshops and artworks sold for charity. The event aims to let more people know about what the programme is doing.
Reach for the HeART was a programme initiated by Art in Hospital and Sin Sin Fine Art in 2009 which would like to benefit chronic geriatric patients in hospitals. We believe that the creative process involved in artistic self-expression helps people to resolve conflicts and problems, develop interpersonal skills, manage behaviour, reduce stress, increase self-esteem and self-awareness, and achieve insight. The process of art making could also bring joy and fulfillment to participated patients.
With the funding support in 2009, over 31 workshops were held in 4 hospitals namely Pamela Youde Nethersole Eastern Hospital, Caritas Medical Centre, Haven of Hope Hospital and Grantham Hospital for geriatric patients. We are now looking for the support to sustain this meaningful project.
We all wish to see you at this meaningful evening.
Artists donating their works for charity sale: Andy Dewantoro • Ann Niu • Antoinette Rozan • Bai Xincheng • Bob Sick Yudhita • Damon Tong • Entang Wiharso • FauZie As'Ad • Fung Ming Chip • Hervé Maury • Hengki Pudjianto • I Gusti Ngurah Buda • Julia Nee Chu • Jumaldi Alfi • Kokok P. Sancoko • Konstantin Bessmertny • Lee Man Sang • Maria Lobo • Nasirun • Pablo Posada Pernikoff • Pande Ketut Taman • Peter Dittmar • Rick Lewis • Roland Hagenberg • Rolf Lorenz • S. Teddy Darmawan • Stephanie Sin • Sun Guangyi • Thep Thavonsouk • Wong Yankwai • Youri Leroux
下午茶 (Tea-Break) 第三屆中五畢業展
Who
香港兆基創意書院中五畢業生
When
22/6 - 2/7
10:00am - 7:00pm (公眾假期休息)
Where
香港兆基創意書院 展覽廳
What
展覽查詢及預約導賞: 2339 7370
http://www.creativehk.edu.hk/
香港兆基創意書院中五畢業生
When
22/6 - 2/7
10:00am - 7:00pm (公眾假期休息)
Where
香港兆基創意書院 展覽廳
What
展覽查詢及預約導賞: 2339 7370
http://www.creativehk.edu.hk/
Culture(s) of Copy/ 重復 重造 翻譯
Opening 22 June 2010 7:00pm at Goethe-Institute Hong Kong
(see address below)
Who
Candice Breitz ('Factum'/ South Africa, Germany)
Sven Drühl ('Constructed Landscapes'/ Germany)
Harun Farocki ('Immersion'/ Germany)
Omer Fast ('Talk Show'/ Israel, Germany)
Anna Jermolaewa ('Kremlin Doppelgänger'/ Austria)
梁志和 + 黃志恆 Leung Chi Wo + Sara WONG ('He was lost yesterday and we found him today'/ Hong Kong)
邱黯雄 Qiu Anxiong ('The New Sutra of the Mountains and the Oceans'/ China)
Cornelia Sollfrank ('Anonymous Warhol Flowers'/ Germany)
Pilvi Takala ('Real Snow White'/ Finland)
黃海昌 Wong Hoy Cheong ('Re:looking'/ Malaysia)
徐震 Xu Zhen ('8848-1.86'/ China)
張培力 Zhang Peili ('Last Words'/ China)
Zhang Peili is the winner of the Contempory Chinese Art Awards (CCAA) 2010 in the category of 'life achievement'.
When
22.6. - 19.7.2010
Where
Goethe-Gallery, Goethe-Institut Hongkong
(14/F Hong Kong Arts Centre, 12 Harbour Road, Wanchai HK)
Exhibition Hall, Hong Kong Film Archive
What
Goethe-Institut Hongkong and Edith Russ Site for Media Art in Oldenburg, Germany jointly present, in collaboration with Hong Kong Film Archive, the exhibition ‘Culture(s) of Copy’, a follow-up exhibition of the Institut’s ‘History Will Repeat Itself - Strategies of re-enactment in contemporary (media) art and performance’ (curated by KW Kunstwerke, Berlin, and Hartware, Dortmund) in 2008 and an earlier study of the Asian concept of ‘copy’, which was presented in the photo exhibition ‘Chinese Copy Art’ by Michael Wolf in 2007 at the Goethe-Institut Hongkong.
The exhibition ‘Culture(s) of Copy’ initiates from the exhibition that the Goethe-Institut Hongkong presented two years ago under the title ‘History Will Repeat Itself’. As that exhibition took a Western approach, we had in mind to follow up the topic with an exhibition from a perspective that involves Asia. It became clear that the term REPEAT should translate into COPY. ‘Culture(s) of Copy’ is about the phenomenon of the copy as a global cultural strategy. The discussion of intellectual property, as it has already been treated in diverse ways, is only one angle from which one can approach the topic. The ‘copy’ here is understood positively as a remake, a cultural translation and an achievement (“You have to copy a master to become a master”, “The best way to appreciate a master is to copy him”). The phenomenon of the copy is seen as a rewarding opportunity to understand and reflect on cultural differences beyond the rather poor terms of a dichotomy of East and West.
The works presented can be divided into different topics (’Archive’, ‘Theme Park’, ‘Claim of authenticity by media represented reality’, etc.). Some works use the stocks of art history. Existing artefacts of the economy or art are treated as an archive that one can make use of. The repetition of known formats and content is not for the sake of repetition, but for the sake of a new definition. The maxim of originality is thereby deliberately ignored – in the age of “copy and paste”, the creation of the NEW is bound by repetition, variation and cultural translation. Other themes include the process of copying itself and the relationship between context and content. Many of the works deal with the question of authenticity in a world in which reality is mediated mainly through the mass media.
Interestingly, languages are no exception. They don’t deliver what they are supposed to do: to find a title for this exhibition that is applicable to both the English language as well as the Chinese language proved to be nearly impossible. Words don’t copy, they translate.
The exhibition will later in the year be shown at Edith Russ Site for Media Art in Oldenburg, Germany from November 27, 2010 – February 2011.
Curatorial Team:
Please note that Goethe-Institut Hongkong and Edith Russ Site for Media Art present works that are identified from a curatorial team, among them former HKU scholar Ackbar Abbas, Shanghai based ‘Urban China’ editor 姜珺 Jiang Jun, Singapore based curator 葉德晶 June Yap (known for her curatorship in the exhibition ‘Some rooms’ 2009 at Osage), Sabine Himmelsbach, former curator at ZKM in Karlsruhe/Germany, Birgit Hopfener who collaborated with Haus der Kulturen der Welt, Berlin, on their show on China.
Complete curatorial team in alphabetical order:
Ackbar Abbas, Sabine Himmelsbach, Birgit Hopfener, 姜珺 Jiang Jun, MAP Office (Laurent Gutierrez/ Valérie Portefaix), Michael Müller-Verweyen, 葉德晶 June Yap
Official webpage
(see address below)
Who
Candice Breitz ('Factum'/ South Africa, Germany)
Sven Drühl ('Constructed Landscapes'/ Germany)
Harun Farocki ('Immersion'/ Germany)
Omer Fast ('Talk Show'/ Israel, Germany)
Anna Jermolaewa ('Kremlin Doppelgänger'/ Austria)
梁志和 + 黃志恆 Leung Chi Wo + Sara WONG ('He was lost yesterday and we found him today'/ Hong Kong)
邱黯雄 Qiu Anxiong ('The New Sutra of the Mountains and the Oceans'/ China)
Cornelia Sollfrank ('Anonymous Warhol Flowers'/ Germany)
Pilvi Takala ('Real Snow White'/ Finland)
黃海昌 Wong Hoy Cheong ('Re:looking'/ Malaysia)
徐震 Xu Zhen ('8848-1.86'/ China)
張培力 Zhang Peili ('Last Words'/ China)
Zhang Peili is the winner of the Contempory Chinese Art Awards (CCAA) 2010 in the category of 'life achievement'.
When
22.6. - 19.7.2010
Where
Goethe-Gallery, Goethe-Institut Hongkong
(14/F Hong Kong Arts Centre, 12 Harbour Road, Wanchai HK)
Exhibition Hall, Hong Kong Film Archive
What
Goethe-Institut Hongkong and Edith Russ Site for Media Art in Oldenburg, Germany jointly present, in collaboration with Hong Kong Film Archive, the exhibition ‘Culture(s) of Copy’, a follow-up exhibition of the Institut’s ‘History Will Repeat Itself - Strategies of re-enactment in contemporary (media) art and performance’ (curated by KW Kunstwerke, Berlin, and Hartware, Dortmund) in 2008 and an earlier study of the Asian concept of ‘copy’, which was presented in the photo exhibition ‘Chinese Copy Art’ by Michael Wolf in 2007 at the Goethe-Institut Hongkong.
The exhibition ‘Culture(s) of Copy’ initiates from the exhibition that the Goethe-Institut Hongkong presented two years ago under the title ‘History Will Repeat Itself’. As that exhibition took a Western approach, we had in mind to follow up the topic with an exhibition from a perspective that involves Asia. It became clear that the term REPEAT should translate into COPY. ‘Culture(s) of Copy’ is about the phenomenon of the copy as a global cultural strategy. The discussion of intellectual property, as it has already been treated in diverse ways, is only one angle from which one can approach the topic. The ‘copy’ here is understood positively as a remake, a cultural translation and an achievement (“You have to copy a master to become a master”, “The best way to appreciate a master is to copy him”). The phenomenon of the copy is seen as a rewarding opportunity to understand and reflect on cultural differences beyond the rather poor terms of a dichotomy of East and West.
The works presented can be divided into different topics (’Archive’, ‘Theme Park’, ‘Claim of authenticity by media represented reality’, etc.). Some works use the stocks of art history. Existing artefacts of the economy or art are treated as an archive that one can make use of. The repetition of known formats and content is not for the sake of repetition, but for the sake of a new definition. The maxim of originality is thereby deliberately ignored – in the age of “copy and paste”, the creation of the NEW is bound by repetition, variation and cultural translation. Other themes include the process of copying itself and the relationship between context and content. Many of the works deal with the question of authenticity in a world in which reality is mediated mainly through the mass media.
Interestingly, languages are no exception. They don’t deliver what they are supposed to do: to find a title for this exhibition that is applicable to both the English language as well as the Chinese language proved to be nearly impossible. Words don’t copy, they translate.
The exhibition will later in the year be shown at Edith Russ Site for Media Art in Oldenburg, Germany from November 27, 2010 – February 2011.
Curatorial Team:
Please note that Goethe-Institut Hongkong and Edith Russ Site for Media Art present works that are identified from a curatorial team, among them former HKU scholar Ackbar Abbas, Shanghai based ‘Urban China’ editor 姜珺 Jiang Jun, Singapore based curator 葉德晶 June Yap (known for her curatorship in the exhibition ‘Some rooms’ 2009 at Osage), Sabine Himmelsbach, former curator at ZKM in Karlsruhe/Germany, Birgit Hopfener who collaborated with Haus der Kulturen der Welt, Berlin, on their show on China.
Complete curatorial team in alphabetical order:
Ackbar Abbas, Sabine Himmelsbach, Birgit Hopfener, 姜珺 Jiang Jun, MAP Office (Laurent Gutierrez/ Valérie Portefaix), Michael Müller-Verweyen, 葉德晶 June Yap
Official webpage
「城市漫遊者 ─ 社會紀實攝影」
Who
又一山人、翟偉良、陳迹、陳廣源、陳偉民、張康生、趙嘉榮、蔡旭威、朱德華、鍾文略、安杰路．哥密斯、馮建中、吳文正、高志強、賴朗騫、劉清平、梁家泰、梁志和與黃志恆、馬琼珠、吳世傑、沈嘉豪、岑允逸、蘇慶強、蘇秀儀、孫樹坤、鄭瑋玲、謝至德、謝明莊、尹子聰、米高．沃爾夫、王希慎、黃勤帶、王禾璧、邱良及余偉建。
When
2010年6月20日─2011年1月3日
Where
香港文化博物館
專題展覽館〔五〕及〔六〕
(沙田文林路11號)
What
城市空間、社會現象、急於消失的變遷，是圍攏在都市人周遭的生活事物。攝影師往往也喜歡以此為題材，運用一雙攝影眼拍下照片，漸成為紀實攝影中的「社會風景攝影」學派。他們就像一眾城市漫遊者，聚焦在居住和遊歷的社會景觀上，透過影像，思考社群與環境變遷的因緣，甚至道出一些論述和批判。
是次展覽由資深攝影及教育工作者馮漢紀先生、「pH5攝影連動」創辦人之一黃啟裕先生及香港浸會大學視覺藝術院講師黃淑琪女士擔任客席策展，選粹自35組攝影師作品約260多幅涵蓋1950年代至當今的傑出社會風景攝影佳作，並按作品專注面劃分為「街頭攝影」、「社會紀實攝影」、「新地景主義攝影」和「觀念及矯飾攝影」四個類別，綜覽當代香港紀實攝影的發展面貌。
(本展覽為「香港攝影系列」展覽二)
展品精選
大坑，浣紗街
孫樹坤
2009年
Megafauna
陳廣源
2009年
有我在的天台景象
賴朗騫
2008年至2009年
2006-07-01, T 15:19:26
馮建中
2006年
又一山人、翟偉良、陳迹、陳廣源、陳偉民、張康生、趙嘉榮、蔡旭威、朱德華、鍾文略、安杰路．哥密斯、馮建中、吳文正、高志強、賴朗騫、劉清平、梁家泰、梁志和與黃志恆、馬琼珠、吳世傑、沈嘉豪、岑允逸、蘇慶強、蘇秀儀、孫樹坤、鄭瑋玲、謝至德、謝明莊、尹子聰、米高．沃爾夫、王希慎、黃勤帶、王禾璧、邱良及余偉建。
When
2010年6月20日─2011年1月3日
Where
香港文化博物館
專題展覽館〔五〕及〔六〕
(沙田文林路11號)
What
城市空間、社會現象、急於消失的變遷，是圍攏在都市人周遭的生活事物。攝影師往往也喜歡以此為題材，運用一雙攝影眼拍下照片，漸成為紀實攝影中的「社會風景攝影」學派。他們就像一眾城市漫遊者，聚焦在居住和遊歷的社會景觀上，透過影像，思考社群與環境變遷的因緣，甚至道出一些論述和批判。
是次展覽由資深攝影及教育工作者馮漢紀先生、「pH5攝影連動」創辦人之一黃啟裕先生及香港浸會大學視覺藝術院講師黃淑琪女士擔任客席策展，選粹自35組攝影師作品約260多幅涵蓋1950年代至當今的傑出社會風景攝影佳作，並按作品專注面劃分為「街頭攝影」、「社會紀實攝影」、「新地景主義攝影」和「觀念及矯飾攝影」四個類別，綜覽當代香港紀實攝影的發展面貌。
(本展覽為「香港攝影系列」展覽二)
展品精選
大坑，浣紗街
孫樹坤
2009年
Megafauna
陳廣源
2009年
有我在的天台景象
賴朗騫
2008年至2009年
2006-07-01, T 15:19:26
馮建中
2006年
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